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Panel 1: The first panel shows a witch dressed in black with a classic pointy hat, vacuuming the floor of her home. She looks frustrated and is thinking out loud, saying, "Ugh, I can’t bring anyone back with the place looking like this." The room has a few scattered items like a bone, indicating it’s a bit messy. Panel 2: In the second panel, the witch's black cat, who is sitting near a Ouija board on the floor, speaks up. The cat looks annoyed and says, "Do you MIND?! You’re scaring away the spirits." The cat's wide-eyed expression emphasizes its frustration. Panel 3: The third panel zooms in on the witch, who is visibly annoyed by the cat's comment. She scoffs at the cat, expressing her disbelief at its audacity. The panel focuses on her face, showing her irritation. Panel 4: In the final panel, the cat, still near the Ouija board, continues to sass the witch. It says, "They also asked if you’re planning on going out in that outfit." The cat looks smug, while the witch is left speechless by the remark.

 

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4 panel comic by War and Peas. Panel 1: The first panel shows a witch with long red hair wearing a black dress and a pointed hat. She is sitting at a window, looking outside at what appears to be a typical autumn scene, with a few clouds in the sky. She holds a drink in one hand and declares, “It has begun. It’s Fall.” Panel 2: The scene shifts to a fairy doing her nails while sitting on the floor. The fairy has green wings, a light green dress, and blonde hair tied up in buns. She is surrounded by objects like a skull, a candle, and some drinks, giving the scene a laid-back vibe. The fairy looks relaxed as she responds, “It’s actually spring.” Panel 3: The third panel returns to the witch, still looking out the window. She confidently repeats, “No, it’s Fall. I can smell it.” Panel 4: In the final panel, the witch clenches her fist in determination, with a look of resolute confidence on her face. She declares, “The Fall of the Patriarchy.”

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Panel 1: A mother looks at her phone with a shocked expression. A speech bubble from her phone reads, "Hey mom, having fun riding my bf’s giant cock." Panel 2: The scene shifts to show a giant rooster with a blonde woman riding on its back. They are in a fenced yard, and the rooster appears calm and massive in size. Panel 3: The woman from the first panel is writing a message on her phone. A speech bubble from her phone reads, "How nice! Say hi to Bob from me!" Panel 4: The final panel shows a man in a cowboy hat standing in front of a building labeled "Bob’s Giant Cock Ranch."

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Panel 1: The first panel shows a close-up of two lobsters in a tank. One lobster, named Larry, is talking to the other lobster, Janet. Larry says, “I can’t wait to see my wife and kids again.” His expression is hopeful and optimistic as he looks forward to reuniting with his family. Panel 2: In the second panel, Janet, the other lobster, responds to Larry from inside the tank. She says, “Oh, Larry… You have to face it, they’re gonna kill us.” The setting outside the tank suggests they are in a fancy restaurant, as a table with wine glasses and a white tablecloth is visible. The lobster tank is situated in an elegant dining area, adding to the tension of the scene. Panel 3: The third panel returns to a close-up of Larry inside the tank. He reassures Janet, saying, “No, Janet. I have a feeling they won’t.” Larry remains calm and certain, contrasting Janet’s anxiety. The background continues to show the tank’s interior. Panel 4: In the final panel, the scene shifts dramatically to the outside of a large ocean liner—clearly the Titanic—sailing through icy waters. The moon is in the sky, and icebergs surround the ship, foreshadowing the infamous disaster. This twist reveals why Larry feels confident they won’t be killed: the Titanic is doomed, and so is the restaurant they’re in.