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6-panel comic by War and Peas. Panel 1: A dog character, wearing glasses, a shirt, and tie, stands at a podium labeled with a microphone. He says, “Research has shown that dogs are the most loyal creatures.” Panel 2: Continuing his talk, the dog lecturer says, “That’s why the love language of unconditional affection is called…” Panel 3: With enthusiastic eyes and a slight smile, he confidently declares, “…Doggy Style!” Panel 4: A giraffe character pops in from behind the curtain whispering something to the dog. Panel 5: The dog is now standing silently behind the podium as the spotlight stays on him. He seems awkward and regretful. Panel 6: The dog walks off the stage slowly, tail drooping. He tosses his speech notes behind him. A sign in the background reads: “Science of Love – Dr. Doggy.”

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6-panel-comic by War and Peas. Panel 1: The thirsty NASA scientist is trying on a dress in a fitting room. A store clerk stands outside and asks, “Miss, how’s the dress?” Panel 2: The woman steps out in a little black dress and says, “Fine, but it’s not really the look I’m going for.” Panel 3: The clerk asks, “What look are you going for?” Panel 4: With an excited expression and wide eyes, the woman replies, “Lonely scientist gets whisked away by a ZØR$H‡X!-ian prince…” Panel 5: She continues passionately, “...who’s never seen a woman before and is overcome with lust!” Panel 6: The clerk, now slightly disturbed but professional, responds, “Maybe, I have something in the back,” as he walks away. She continues, "She's nervous at first, but he proves to be well-versed in the art of lovemaking."

A digital collage titled "Thirsty Scientist Starter Pack" features various items associated with a sci-fi and science aesthetic. Items include a black slip dress, round glasses, a bottle of "Alien" perfume by Mugler, a telescope, a DVD box set of the "Alien Quadrilogy," a book about H.R. Giger, a poster reading "I WANT TO BELIEVE" with an image of a UFO, and a green, textured alien-like sculpture. The background is light green, and the text is in a bold, futuristic font with a purple outline.

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Elizabeth Pich and Jonathan Kunz sitting beside a wooden ladder displaying a children's book titled "HI, EARTH." The book cover features a cartoon Earth with googly eyes wearing a cowboy hat, surrounded by flames. The setting includes numerous houseplants in the background, creating a cozy, plant-filled environment that appears to be a café or bookstore.

The book is here and it’s all that you can wish for – as an author and a reader. The pages are made of beautiful, thick paper and the colors are what industry professionals and bookstore owners would call vibrant. It is a huge step forward to anything we’ve done before!

Rare Tropical Birds

Yes, there are comics that you have seen before on our socials and the newsletter, but there are also brand new ones that are strictly exclusively in this book – like rare tropical birds that refuse to migrate to the digital ecosystem.

Funny comic by War and Peas named "Fuck that flower" 1. Panel: A flower says: They always say "What a beautiful flower. Lovely flower." 2. Panel: She continues: But do you know what they never say? 3. Panel: She shouts: I want to fuck that flower so hard that [redacted text] 4. Panel: A bee approaches saying "I could offer respectful love-making." The flower shouts "FUCK OFF!"

4-Panel Comic by "War and Peas" Panel 1: A person with an axe stands before a tree with a green treetop that has a simple face. The tree is speaking from a speech bubble saying "You can chop me down, but that won't fill the giant void inside you." The scene is set in a countryside with hills and mountains in the background. Panel 2: The person is now chopping down the tree with their axe, making a "CHOP" sound. The tree has fallen and the person is standing on the tree trunk. In the background, there's a truck or logging vehicle with smoke coming from it. Panel 3: The scene shifts to a lumber mill called "PAUL'S LUMBER" with industrial buildings, smokestacks, and piles of logs. The person who chopped the tree is receiving money bags from a businessman in a coat and hat. Panel 4: The final panel shows the same person now wealthy, lying on a lounge chair by a swimming pool at a luxury mansion. They're holding a cocktail and wearing sunglasses, looking discontented. A speech bubble reads "That damn tree was right..."

Worldwide Distribution

As our publisher Andrews McMeel has a worldwide distribution network, you can get the book really anywhere. Whether you’re contemplating existential dread beside a Norwegian fjord, sitting in a Brooklyn establishment where bearded men manipulate hops with the solemnity of neurosurgeons, or slowly going insane on your private island – our book will find you. It waits, lurking in the shadows, accessible to anyone close to a bookstore or with sufficient bandwidth to complete an online transaction.

Get it via Amazon, Barnes & Noble or BAM. Or order it through your local bookstore!

4-Panel Comic by War and Peas. Panel 1: A woman kneels in front of her dog, holding a leash. The caption reads, "Whenever we go outside..." Panel 2: The woman gently holds and hugs her dog. The caption continues, "...my master needs a leash to make sure she doesn’t get lost." Panel 3: The dog confidently leads the way outside, while the woman follows, holding the leash. The caption reads, "Don’t worry, anxious one." Panel 4: A close-up of the dog looking happy as they walk. The caption concludes, "I’ll take care of you."

Thanks for reading :)
Elizabeth and Jonathan

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4-panel comic by War and Peas: Panel 1: A cheerful witch is seen packing a box at a table, with scissors and tape nearby. She exclaims, "My business really is booming!" A vampire seated nearby asks curiously, "What business?" Panel 2: The witch responds casually, "I'm selling used tampons to Vampires online." Panel 3: The vampire, looking shocked and holding a mug of tea, exclaims, "Wait. You're Lady Red?" Panel 4: The witch, still focused on her packaging, replies happily, "It's very lucrative." The vampire turns away from the witch in shock and tries to cover his cup of tea with his body. The teabag has a bright red label.

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And a few explanatory words

4-panel comic by War and Peas.Panel 1: A group of witches sit in a circle around a fire under the night sky. One witch says, "To abolish the patriarchy once and for all..." Panel 2: Another witch, holding a wand, adds, "...raise your wands, sisters!" Panel 3: Several witches lift their wands, while one holds up what looks like a vibrator (magic wand). Panel 4: The witch holding the vibrator looks slightly awkward, while the other witches continue their ritual under the moon.

So, here’s the deal: after we dropped this comic and it turned out to be a success, we felt this itch—almost a physical urge—to revisit it. Not to remake it per se, but to refine, to tweak, to smooth out those minor imperfections that only become visible in hindsight, like hairline cracks in a mirror that otherwise reflects something whole.

Then, along comes this offer from a print studio, and not just any print studio but one with three locations across the globe, which is kind of a big deal if you think about it. Their whole operation is basically the dream scenario for anyone who cares about what they’re producing: colors that aren’t just bright but seem to vibrate on some kind of metaphysical level, like they’ve bypassed your retina and gone straight to the part of your brain responsible for wonder. And let’s not forget the paper. This isn’t your run-of-the-mill, office supply store stuff. We’re talking thick, textured, almost sinfully durable paper. Like, you could probably frame this without glass, and it would still hold up against the minor apocalypses that tend to occur in your living room.

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Speaking of frames—another thing. They’ve got this black one that’s absurdly high-end, so good that they don’t just frame the print, they frame you, like they re-contextualize your entire existence as someone who actually cares about aesthetics. Which, if we’re being brutally honest, is part of the reason for the price, and we get it: some of you have raised an eyebrow or two about the cost, and we don’t blame you. But the thing is: the price isn’t arbitrary. It’s a function of the quality and the ethically sound supply chain. Yes, it’s on the higher end of the spectrum. Yes, it’s an investment. But imagine this: your artistically disaffected friends and the snobbish dinner guests whose approval you secretly crave? They’re going to stand in front of this print, struck dumb, maybe for the first time in their lives, because they’re faced with something they can’t cynically deconstruct. And isn’t that worth it?

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