Every month, we craft you a real letter. Not an email. Not a notification. A letter. The kind that arrives in your mailbox between the electric bill and the note from your dentist about overdue cleanings, except this one contains an exclusive poem we wrote specifically for this moment in time, a holographic sticker that’ll make your inner eight-year-old weep with joy, and some surprise product that might be a postcard, might be a magnet, might be temporary tattoos, might be – and yes, this actually happened – an air freshener shaped like a witch on a skateboard.
It’s the kind of thing that makes you pause at your mailbox, feeling briefly like the main character of your own life instead of just someone scrolling through other people’s curated breakfast photos.
Also – and this is crucial, too – you get all the extras from the Patreon levels below: That gives you the opportunity to view comics before the wide public, download wallpapers and to take a look behind the scenes of making funny comics!
The algorithm-driven attention economy has turned art into something that’s supposed to be free, consumed in scrolls and taps between subway stops. We’re told success means millions of likes from strangers who’ll forget our work before their coffee gets cold.
But then there’s Patreon – this strange little economic rebellion where actual humans decide that something matters enough to support it directly. Because it resonates in some small, meaningful way with their actual lives.
When you pledge, even if it’s just a few dollars, what you’re really saying is: “I see the sweat-soaked 3 AM T-shirts. I see the scrapped drafts. I see the weekends spent indoors while everyone else is at brunch. And I think your art matters.”
Supporting our webcomic isn’t just about keeping the lights on (although electric companies are insistent about being paid). It’s about creating a tiny ecosystem where art can develop according to its own internal logic rather than chasing whatever social media companies decide is momentarily engaging.
So thank you – for being the kind of person who understands that the people behind internet art need support to thrive. Your contribution makes a difference.
We still can’t quite believe it’s happening, but today we’re releasing our book “Hi, Earth” into the wild. We’ve spent years drawing talking animals, suicidal icebergs and horny flowers, trying to make sense of this beautiful mess we call home.
We never set out to create something profound. Honestly, we just wanted to draw comics that made us laugh during our own late-night anxiety spirals about the state of the planet. Somehow those drawings about Timmy the terrified teenage praying mantis and aliens who can’t decide if they want to take over the planet or not, are now bound together in actual book form.
In these strange times, we’ve found that laughing at colorful pictures about the apocalypse helps us cope better than spiraling into despair. We hope maybe it might do the same for you. Sometimes sharing a nervous laugh about the things that terrify us can make them feel a little more manageable.
We’re endlessly grateful to the infamous publishing house Andrews McMeel for taking a chance on our odd little collection.
If you pick up “Hi, Earth,” we hope it gives you a quiet chuckle, or if we’re really lucky, a full-on snort-laugh that makes the people around you uncomfortable. That’s really all we were aiming for.
Imagine a world where books you love magically appear in abundance, where your favorite authors are given the green light to write more, and where indie bookstores stay alive and well. That world exists – it just requires a little thing called preordering.
Here’s why that’s a great idea:
1. Shelf it up
When you preorder a book, you’re doing more than just guaranteeing that a fresh copy will land in your eager hands within a couple of days of its release. You are also whispering – no, shouting – into the capitalist void: Hey, we care about this book. Stock this book. Give this book a fighting chance.
Retailers respond to numbers. If a book gets a lot of preorders, bookstores order more copies, ensuring it doesn’t vegetate away in a dark warehouse next to unsold Ayurveda diet guides. If preorders are bad, that book might be DOA before it even gets a chance to charm (or traumatize) readers.
2. Signal to the Publisher
Strong pre-order sales send a signal to the publisher that the book might be thriving and not being avalanched by self-published werewolf romances. The publishing house can now increase the marketing budget and adjust the print run to meet the demands.
3. The self-fulfilling prophecy of lists
Let’s talk about bestseller lists. They don’t just add up what’s sold after release – it’s mostly about preorders. A book with strong preorder numbers can land on Amazon’s “Best in Category XYZ” lists or even make its way onto those prestigious bestseller lists that determine what gets splashed across airport newsstands. In short: preordering isn’t just buying a book – it’s voting for it.
Try it out now
Does that all sound like exactly the world you want to live in? Then we have a recommendation that you can pre-order right now: Our new book HI, EARTH comes out on April 1 (no joke but still a lot of jokes) and we love every single page of it.
It contains our best comics about our favorite planet and its inhabitants.
We get it: clicking preorder on a big retailer’s website is easy and requires no human interaction. But if you want to be a true literary champion, preorder from your local bookstore. It keeps them thriving, fosters community, and lets you pick up your book in an actual store, where you can also impulsively buy a tote bag you definitely need.
Most of you are aware that we send out monthly love letters. Yes, the ones that land in your physical mailbox and smell like roses.
We have a level for that on Patreon and if you plan on joining the club, you should do it now. Because this letter will be special: We’re sending out one super cute alien sticker sheet with every letter and we are so amazed by the quality, we had to spoiler that.
Yes, we have millions of followers and social media is great for validation, but not so much for paying bills. Turns out, likes and shares don’t magically turn into rent money.
Platforms don’t pay us, and while some of you do (which we deeply appreciate), the conversion rate is… laughably low. If exposure paid rent, we’d be landlords. But alas.
So, if you enjoy what we do and want to keep seeing it, Patreon is where that magic happens. No pressure – just an invitation to be part of the reason this stays sustainable.
If you don’t speak German: our deepest condolences. From here on, it’s all existential despair and unnecessarily long words. But hey, if you’ve ever dreamed of mastering the former language of love (back when poets and philosophers actually preferred it, before history happened again), now’s your shot. If not, no stress, the book drops in English this April, and you can already pre-order it on Amazon (tragically, not the rainforest).
Photo: Nicolas Duc
Liebe Erde
Wir sind mega stolz, dass unser neues Buch LIEBE ERDE beim renommierten Verlag EDITION MODERNE erscheint!
Darin enthalten sind die besten Strips über unseren (nicht so vorbildlichen) Umgang mit dem Planeten. Bäume, Berge, Tauben, Meerjungfrauen, Aliens, Gottesanbeterinnen, Hunde – alle machen sich über uns Menschen lustig und zeigen uns mit Biss und Humor unbequeme Wahrheiten auf.
Und das Beste: Es sind neue und unveröffentlichte Strips enthalten! In unserem Shop gibt es signierte Exemplare.
Bestellen könnt ihr das wunderschöne Buch AUSSERDEM hier:
Weil ihr nun durchgehalten habt und diesen Text immer noch lest, haben wir einen exklusiven Comic für euch, der weder im Buch ist, noch auf Englisch erscheint, sondern einfach nur da ist, weil wir euch gern haben:
Here’s the last reminder about the witch plush we made in collaboration with YouTooz.
The thing is a whopping 9” and features a removable wand. We’re totally in love with it!
It’s the last possibility to order as it will be gone in 24 hours, on August 27th at 9pm CET/3pm EDT. If you find this too confusing, better order now!
Why the current hype around AI is a slap in the face for creatives
Almost every day we receive emails from AI companies who want to work with us. In these emails, someone cheerfully suggests a ‘collaboration’ in which they propose that we promote their product.
It is an understatement to say that these emails are in poor-taste. While we are usually interested in technology and try to remain optimistic about this field, we feel it’s necessary to speak out about the unbearable hype-cycle that generative AI has brought with it. A hype-cycle that has originated by stealing creative work, and now wishes to further damage creative energy by funnelling it into an automated content-creation nightmare.
Today we’d like to show you one of these emails and our response.
Hi war.and.peas,
It’s XXX and I’m writing to you on behalf of Muse. Muse is a new creative platform that can create your own AI-generated series so you can dive into a new world of storytelling without the need for personal content creation.
For example, with Muse you can:
make your own series with your script/storyline
bring your book characters to life
promote your new project/book by creating a mini-series
help create content by creating other worlds
make your story come alive for your audience by creating a series about it.
Please let me know if you would like to discuss collaborating and becoming one of the first creators to gain an early advantage in the realm of content creation.
Best regards, XXX Collaboration Manager
Here’s our response:
Dear XXX,
thank you for contacting us. We are a webcomic duo that has been creating original comics since 2011 and sharing them on various platforms on the web.
Usually we are very keen on connecting with potential partners that value our art and wish to help us in making a living. However, in this case we must politely decline. Here are some reasons why:
The surge in AI has been built on the backs of creative people like us. Artists’ work has been harvested in order to train large language models and they have not been informed or compensated.
Social Media platforms cannot grow without engaging and original content, made by people. This is the basis for any user to join. Creators have – in large part – not been privy to the rewards that these platforms have generated over the years even though they are the reason for platform growth. Any business model that does not acknowledge this and does not seek proper compensation for artists is not of interest to us.
While being creative is surely not always fun, most artists love their work and do not want to outsource their passion to a machine that does this for them. They would much rather be properly compensated for their work in order to continue to be able to do said work. Frankly, storytelling “without the need for personal content creation” sounds horrible. Storytelling is personal. It is a connection between the writer and the reader. Without this personal connection, storytelling loses its purpose.
Artists would much rather have an AI that actually helps with grunt chores, such as writing invoices, or helping with taxes in order to focus more on fulfilling creative tasks. Such an AI-tool would be of much more value to the artist community.
For these reasons, we hope it has become self-evident that your platform does not do anything for us. On the contrary, it works against a world in which creative work is valued and elevated. It turns creative work into an assembly-line meant to churn out derivative and soulless ‘content’ to supply the attention-factory that has become social media.We hope that these efforts will soon be seen as what they are and be quickly abandoned in favor of a more inclusive artist-focused approach.
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